The other day while I was reading and I came across a
quotation from the famous American medical hypnotist Milton Erickson concerning
the difference between ordinary waking states and trance states especially deep
trance.
.. The subject in a deep trance functions in accordance with
the unconscious understandings independently of the forces to which his
conscious mind ordinarily responds; he behaves in accordance with the reality
which exists in the given hypnotic situation for his unconscious mind.
Conceptions memories and the ideas constitute his reality world; he is in a
deep trance. The actual external environment reality with which he is
surrounded is relevant only insofar as it is utilized in the hypnotic
situation. (Erikson Deep Trance and its
induction)
I thought that this perfectly summed up the state of mind
that a musician in full flow of playing finds himself and this is why it is so
difficult at times to truly intellectualise what makes a musician give a great
performance because the performing musician will often not be able to tell you
what it is that is happening.
I have often found that some pupils who are highly
intellectual find learning music at very challenging. Many things that they
aspire to seem to not make sense and they seem to get to this point after
exploring all the chords and scales and techniques and still they find the holy
grail of the great performance evades them.
Yet when you tell them that they need to get in touch with
their feelings and to listen to the music inside them (because the unconscious
processes many, many times more data than the intellect) they try to rationalise
what I say and think about it when they really just need to listen.
I think that if you want to be like a great talent you need
to travel a similar path to them. So if your heroes worked things out by ear so
should you, if your hero became a great sight reader, so should you, because
what is going on in the unconscious of the artist is what makes the difference
and although we can discover where that person has travelled to by our
intellect we cannot visit that land unless we walk their path. The reason for this
is, as Erickson says, is that the reality of someone in a deep trance (which is
where any performer is) is in the world of the unconscious.
Over the last few weeks Keith Richards has been on the radio
and TV a number of times being interviewed. Now if there is someone who plays
from the heart and not the head it is his ‘Keithness’ bless him! Not only does he confound the medical
profession that he is still with us physically but he will continue to confound
the music intellectuals on how to play the perfect rock groove even with his
extreme arthritis that he has in his hands.
I am sure that his answer is not to think about it just plug
in and play.
Vic
www.bluescampuk.co.uk three days of rock fun in a band