The ancient Egyptians knew a thing or two about magic

 The ancient Egyptians knew a thing or two about magic. In Jewish lore, when God gave magic to the world, he gave one part to the Jews but the rest to the Egyptians.

The God Ra would travel on a barge attended by the priests and fed milk. Ra's earthly form was in a small statue less than a foot high.

The priest took the said statue and inspirited it with Ra's essence. Hence the story in the Bible of not having effigy of the gods etc. in other words, don't be like an Egyptian.

Inspiriting was achieved by breathing the spirit into the statue. To breath is to inspire; here, we have a link between inspiration and inspiriting with a work or an object.

To be inspired also alludes to being possessed by an idea, muse or faerie that works through you.

In yoga, breath or prana is the link to the cosmic deity. In the Far East, chi is very similar.

The motion of waves, the flow of the seasons, the observable movement of the planets from the earth, life and death all have this signature of breath. It seems unavoidable in the universe; it is the very nature of things. We have it in the boom and bust cycles in economics and patterns of plagues, pandemics, and war if we look close enough.

So be inspired; know that to be inspired also requires you to have a period of no inspiration.

So take a deep breath.

Vic Hyland www.vichyland.com

Ripples in a pool

Ripples in a pool

I took a small stone and turned to one of the children and said ‘I’m going to show you something of how the universe works, in fact it is most definitely how nature works’. I threw the stone into the water and we watched the ripples radiate out. ‘You see the ripples are caused by something that is not the same as the ripples,  the action itself is not the same as the effect of that action, that is something important  to notice and if you look carefully you can see it everywhere. The bee when it is feeding doesn’t know that it’s pollinating a plant, in fact the benefit that it brings to all life is not his actual intention and this is true of most things. The skill is to be able to work out what effect you can have in the world by doing something completely different. That my dear is Magic’.

I have been fascinated for some time in the unexpected consequence and situations where something is happening but it is difficult to work out the causative effect of it.

Why is it for instance that some people with the same amount of practice could learn much quicker than others, and then slow down?

How is it that other people learn slowly and then for no apparent reason suddenly become very good almost overnight?  I have seen this over and over again,

I have had a number of experiences where somebody who could not sing, who is struggling to pitch a note and who was make slow progress, could one day turn up to a lesson; sit down and this amazing voice came out.

 In a previous post I said that progress is not linear, I had spoken more of the framework of revelation and some sort of tipping point event but this time I want to look at what we could do to create change in an indirect lateral fashion.

 I was always interested in the work of Edward De Bono who coined the phrase lateral thinking, in his numerous books on the subject there are lots of examples of stimulating thought by coming in laterally. He uses various examples one of them was an American museum looking for extra funding and using a dictionary as the reference source. At random they chose words from the dictionary and then brainstormed what it made them think. One word was mattress and that led to the idea of sleepovers in the museum, children’s parties then business conferences etc. This apparently led to an increase in the funds for the museum leading to their financial survival and course a couple of Hollywood films such as Night in the Museum, I’m joking as I don’t know whether that’s true or not!

Sometimes we see this in our own life where a situation which may have been unpleasant leads to an improvement in one’s life, a fulcrum point in the way that gave you leverage for change.

Instead of waiting for events we create the opportunity for them to happen,  him I’m thinking of the idea explored in the book the ‘The Dice Man’ where his decisions based on the throw a dice. I have already mentioned Bowie and Brian Eno use of cards in their case the oblique strategy cards that Eno had created. Brian Eno was also a collector of Tarot packs and therefore I would assume that the the oblique strategy cards that he created we’re just an extension to that idea. If  it worked for Brian Eno and David Bowie it might be worth considering it yourself.

So what about ritualistic behaviour?  Of course we do this all the time, cleaning our teeth, who goes to the bathroom first in the morning,  how we order our lives; these patterns are the same, day in, day out often, so let us create some that have an intention for change.

Remember that I have a creative experiment going on which is available through my Patreon site which is the Magical Song Writing, where we are creating lyrics and music that has some intention to change ourselves and our surroundings. Check that out by visiting www.Patreon.com/vichyland

What happens when a song casts a spell?

Ok, what if a song actually changes reality? I think that these songs actually exist, for instance ‘All You Need is Love’ by the Beatles may not been the cause of the ‘summer of love’ but probably increased its potency as it rode the crest of that wave in 1967.

Heroes by David Bowie was released in 1977, with its references to the Berlin Wall and its ultimate failure along with Bowie’s Berlin concert, leading  to the sudden taking down of the wall in 1989? Ripples in the pool caused by art? Who can really say?  

I am particularly interested in the songs written by people that hint at their ultimate demise. For instance ‘Son of a Gun’ by Kurt Cobain and ‘Happiness is a Warm Gun’ by John Lennon, are good examples of this but there are many others.

Tim Buckley’s ‘Song to the Siren’ foretells of the death of his son by drowning many years later and it gets much weirder than that, Elizabeth Fraser of the Cocteau Twins recorded the song, she also recorded with Tim’s son Jeff Buckley, the two became lovers and Jeff became the character in the song who drowns in the Mississippi in a freak accident.

What about the song that takes us back in our memory or makes us cry or laugh? We all have examples of that I am sure. What is this mysterious power that music has?

In folk music there are lots of examples of songs that have some sort of magical intent. There are songs that seem to be intended as curses and others that contain the impossible task which was popular amongst the cunning folk as they went about their business. A song such as Scarborough Fair contains many impossible tasks asked of an ex-lover,such as making a shirt with no seem and no needlework, and then to wash it in a dry well. There is also a list of protective herbs such as sage rosemary and thyme which was to be believed to be particularly useful against witchcraft. So does this mean that the ex-lover was a witch? Also within the British folk music tradition were references to trees and birds and enchanted people who had met with the fairy folk, in some traditions they were gifted to learn a skill such as playing music, or as a warning that is might not go well dealing with the Realm of the Fay.

Within the blues there is a rich tradition of magical practice which is most evident in the songs of Muddy Waters and Robert Johnson. In fact many of the Muddy Waters songs viewed through the lens of NLP or magical thinking, look like some form of hypnotic suggestion, such as ‘I’ve got my Mojo Working (but it sure don’t work on you). Take out the negative and there you have a magical love spell being cast on anyone who Muddy Waters fancies in the audience.

So I thought it was about time that we explored the possibilities of song-writing using phrases that intend an outcome. This can be done in many ways such as;

All you need is love, 

All you need is love, 

All you need is love, love, 

Love is all you need.

I think this last line is particularly clever in that it is a reworking of the first phrase, and then of course the end of the song is a mantra; Love is All You Need.

In the outro the song references other songs that include love, like She Loves You.

Make a song that changes your life…….

So if you’re interested in this project and want to go down that rabbit hole visit me at my Patreon site www.Patreon.com/vichyland 

where you will see details of how you could be part of this experiment.

Or send me an email to vichyland@msn.com

Vic Hyland 

Guitars are almost indestructible, and there is a little goldmine out there

 Guitars are almost indestructible, and there is a little goldmine out there 

Have you got an old electric guitar that has been hanging around, or maybe an old acoustic with a couple of strings missing? They may be repairable, in fact electric guitars and pretty much indestructible, so why not get it fixed?

One of the problem areas on the guitar is the fretboard or the neck. Sometimes the neck can warp, but on a well-made guitar you can adjust this by tensioning or relaxing the truss rod that runs through the middle of the neck. Now this is a job for somebody who knows what they are doing, so I would suggest that you find a guitar repairer who could do this for you, they will also be able to restring the guitar and maybe change the tuning pegs if required.

I was always amazed as a teenager that when you spoke to people about playing the guitar they always had one knocking around the house somewhere. It always surprised me how many people didn’t play but they seemed to have a guitar and as I was getting into teaching at the time I would often get them to pass my name around.

A good friend of mine who is an architect keeps a guitar and amp in his office. He says it is a good talking point when people come in to discuss a new project, getting the conversation off to a relaxed start.

In the years that I’ve been teaching I’ve known a number of occasions where old guitar has been found in the loft and it’s turned out to be quite a  find. The most extreme and for example of this was somebody found an original Gretsch White Falcon that came in the original Gretsch case and this was worth a few thousand pounds 20+ years ago. Although this is unusual there often finds of classic less well-known guitars such as Hofner, and EKO and even the odd Fender Stratocaster.

A few years ago I put the word out for some old guitars to be donated for charity, I had given to me around about 20 guitars that I was able to repair and get into a number of schools that were short on musical instruments. Even in that number there are a couple of Fender Squire’s that were literally given to me for nothing. So this might be a little bit of a goldmine if you are willing and able to do a little bit of repair work and TLC on the instrument.

I am personally keen on the whole idea of recycling and therefore the idea of an old guitar just being thrown away to me is quite abhorrent. Guitars have their own character, even the cheap ones, and with some attention can be made into something quite special. I have an old Ibanez Road Star that I had rebuilt. The guitar actually cost me nothing because it had been left in a school by an ex pupil for a few years and as he had gone back to some exotic country he was very unlikely to come back to retrieve the instrument. The basic build quality of the guitar was very good so I just stripped down and repainted it but then spent some money on pickups and a nice scratch plate. This is one of the guitars that I used to gig, playing in a different tuning and using it for bottleneck blues playing.

I mentioned earlier that electric guitars are pretty much indestructible, so what about the acoustic guitars. The obvious weakness on the acoustic guitar is the acoustic body which is basically a hollow box, and if this gets damaged it might be difficult to repair. It’s not impossible but it is something that you would have to do because the cost of taking it to a professional unless the instrument is a high quality would really not be worth it. However that does not stop the instrument being useful for parts and the same goes for the electric guitar of course. You might fancy building something yourself but using the hardware from an old instrument.

Now if you have an artistic bent then and unplayable instrument might be made into a work of art or even dare I say this into some sort of container; which takes me to a story of an old classical guitar teacher of mine who was horrified that one of his pupils had old guitars with plants growing out of them hanging on their wall.

So with all these guitars knocking around, by the law of averages some of them could be valuable and a good guitar keeps its value not necessarily from the point of view of sale as that is market dependant, but certainly from the point of view of its usefulness.

So if you are keen on salvaging and repairing a guitar but do not know how to play I have a free course that can help

So until next time

Vic

Visit www.bluescampuk.co.uk for links to the free course

for news on the Creative podcast if you want to learn to create and be successful visit my Patreon https://www.patreon.com/vichyland 

 

 

Music competition

Music competition

Here is a chance to win a free space at next years Bluescampuk by writing a song.

You can work at it in conjunction with other people but there is only one space up for grabs for next year but you can share.

To give yourself a focus tell us you going to write a song by visiting www.bluescampuk.co.uk and we can keep an eye open for your entry and also keep you motivated.

So give a shot we’re not expecting it to be an amazing quality recording and they will be judged on the merits of the song and whether we like it or not.

We look forward to your compositions

Closing date is 1st January 2021 so hurry along and get writing

For those of you who want some writing tips we are running a song writing session on Zoom details available if you go to our website look for Song writing Alchemy or if you join our list we will send you the details.

How music can change your world

I think it’s fair to say that most people would be able to tell you anecdotal evidence to point to the fact that music is of great benefit to her health and her state of well-being but how about it being true the transformation where it can rebuild your life, prolong your life and change the world that you inhabit?

For me I’ve been teaching and playing music now for over 45 years and I am very interested in music from an artistic and psychological point of view and have used NLP alongside music to transform my life and other people’s lives as a teacher.

 My search into a deeper aspect of music started many years ago and being intrigued and just basically nosy about what made successful musicians achieve and create and wanting to know how they did it, I started the ‘Creative’ podcast, interviewing musicians and artists and getting them to tell their stories to see if I could find any clues.  One of the lines of thought that I picked up on is where idea that there were no limits to possibilities and this is evident in people who are highly successful.

I was in a conversation with Ben Thomas who plays guitar for Adele. Ben has been her guitarist right from the beginning, meeting her at Brit School. He was telling me about being invited over to her birthday party in America and he describes all the crazy things that are going on within this mansion. people doing magic tricks and stuff like that and he was saying that when you meet these high performing and high achieving people they don’t have any limits to what they believe, they can do anything, anything is possible, like there are no rules.

For us, hearing this initially might make us slightly concerned and conflicted but in actual fact that tells us something about why we are stuck, because there are limits to what we think is possible.

Prince obviously later on his life had some dealings with Mormonism but Prince’s artwork and the way that he presented himself had blatant magical overtones such as the use of sigils (remember the logo and the odd shaped guitar that he played)

On the surface that all seemed ridiculous however these people are achieving unbelievable things with this mind-set so if we come from a scientific process to test things out you can’t test something out with the belief that it’s not going to work you have to be open-minded and then if something works then that is all that you are really concerned with.

A number of years ago I became involved in NLP and I was fortunate enough to do the training with Richard Bandler, Paul McKenna and Michael Breen, but it was Richard Bandler’s story about how he arrived with the idea of NLP was fascinating.

He tells the story about as a young man being enthusiastic about martial arts trained for many hours a day, however he is diagnosed with cancer and he is so angry and distraught about this he says that he went AWOL and then in his words ‘I woke up in Mexico’ he said that he discovered later that tequila was a great way of destroying cancer cells as it obviously destroyed his tumour, but reading deeper into this story I think he was talking about his pilgrimage to Mexico to meet a shaman following in the footsteps of Carlos Castaneda and book The Teachings of Don Juan.

I am guessing here but I am assuming that Bandler took copious amounts of peyote in the Mexican desert and ‘woke up’, much of NLP is based on shamanic practice just like the work of Carl Jung being deeply indebted to the mystical Christianity and Gnostic traditions which was only evident after the red book was published only recently.

For both of these people they needed to ‘science up’ the work, which speaks a lot about the situation that we find ourselves in with the current thought paradigm which is, if something that doesn’t fit it cannot be spoken, to do so is a form of heresy; science has become a religion. We have situations where people will not dispute ideas from their teachers until those teachers have died and then somebody else can put forward a new hypothesis. This happens in all sorts of areas from science to archaeology, medicine, to psychology and even research into the areas of ESP.

So let’s look at what music can do let’s start with what we think it can do. I believe the power of the arts can literally change the world,

Change the context and that will change the detail, at the moment music and the arts are very much of a commodity but it never used to be it was powerful and change the conscious of people (trance dance in shamanic traditions but also raves, discos rock concerts etc) the details can also change the context one can influence the other if we start approaching music, dance, drama, poetry etc in a way that it has real power it can start to really change your life.

How?

Come to Bluescamp and we will show you ……..

Ways to make music in these hard times

Ways to make music in these hard times

The experience of lockdown and its effect on live music has been significant and it doesn’t look as if there is any change on the horizon, it is therefore up to us to look for opportunities in these rather chaotic times. It is safe to say that there are always opportunities in a crisis but they may not be obvious, and they certainly will require us to think very differently about what we have to offer.

Often in these situations the answer is found elsewhere, so for instance if you are looking for an answer to your gigging the answer might be found in something other than concerts, it might be found in sports coaching for instance.

If we are waiting for a return to what we did before, we going to have a long wait, we’ll have to think about how we can perform to maybe a few people and go and stream the performance as well, or maybe a ‘drive in’ concert like drive-in cinema might be an idea.

They are relevant answers out there, but we’ve got to use our creativity to work out how we can transfer techniques from other areas if life and business. In song writing when somebody is stuck I often ask them what’s the song about? Maybe the song is just a bunch of chords at that point in time and the lyrics have not been written, when they reply that they don’t know, my standard response is ‘what is it not about’ and interestingly people know; if you know what it is not, you must know what it is; it is probably its opposite.

This happens a lot when we think because our language frames things, so when we are stuck and we can’t think of an idea it’s because we’ve got into a cul-de-sac in that way of thinking. Language creates the context and landscape that the ideas live, and the way we talk and think about music creates a framework which often becomes a cage.

We need to step back and take another turning further up the road, there is always an answer because there are many possibilities in any situation, if you think that it’s more about the question and not about a conclusive answer then you get a flow of ideas.

Questions that give forward momentum are good, remember just like meeting people, the person that you want often need to meet isn’t the person that you first meet, it is the friend that they know that can really change your life; a bit like questions and answers, the first question isn’t the one that’s going to lead you in the direction that you need, but it’s what it stimulates. So going back to our problem, what are you going to do about music in this brave new world, what ideas are thrown up by looking at other businesses and how do they do things?

Viewing things through a different perspective can give you great ideas, look at things outside of your work in this particular period of time, online sales for instance, clothing, things that have to be delivered. Is there anything we can do from that perspective? Can you deliver your music? Serenading for instance?

What is it that you can do for people that’s original and interesting?

I’ve always been successful in getting people turning up to gigs because I involve people in the concerts. Is there any way that you can do something to involve people in your creative processes? Write songs in collaboration with clients for example.

What little niche markets do you know?

It’s all about friendship groups;

Engage with information to broaden what we are doing. It is important and many musicians are already doing this, take for instance the singer songwriter and guitar player who has been doing gigs from his kitchen and his back garden during the worst times of lockdown, being funded online by donations. He was on this from day one; we need that proactive ability now more than ever to deal with what is coming, not just what we are experiencing at the moment.

So here are some ideas

1.       Gigs streamed (RSC productions streamed into cinemas)

2.       Gigs in a drive in situation like the old American drive in movies

3.       Personal gigs in someone’s garden ( got this idea from Chris Difford of Squeeze)

4.       Collaborations with businesses for musicians in residence (like artist in residence) this could also be like the Beatles playing on a rooftop in London.

5.       Find places that have social distancing ideas already in operation such as churches that you can play.

6.       The silent disco but for live bands where the audience have headphones and can dance in a large area such as a field or large marquee.

7.        Go back to the rave culture with a secret gig somewhere that nobody knows about till the last moment

8.       Read up on the East German Punk movement and see how they managed to get gigs happening in a communist regime (that was really tough and illegal)

So to add a little bit of focus, develop areas in your art that may be week like song writing and arranging or recording.

We are running a completion for next year’s Bluescampuk in Tonbridge all you need to do is record your song on your phone and send it to us here the winner gets a free place at next year’s camp.

Get writing ..

Vic and the team  

The received wisdom is wrong and expensive.

The received wisdom is wrong and expensive.

The received wisdom states that to be a good musician you need go to Music College, learning what someone tells you is right. Learn what others do in such a way that you sound like them. In the past that is not how the great players learned, they did refer to other players by studying recordings and working  it out for themselves, and that is an important difference.

If you work music out from a recording, you often get it slightly wrong and in that way one starts to sound like yourself, and not like somebody else. Think of Jimi Hendrix, he was a consummate guitar player who took from all styles and other peoples playing, however, when Hendrix played an idea taken from someone it always sounded like Jimi.

 Now I’m not saying that a modern approach doesn’t work technically, but there is an unintended consequence to the way that we learned in the past, we do not make the type of mistakes that create our personality within the music if we learn by rote.

 Our education system has created a clone factory that might be fine if you want to play in the tribute band, playing exactly like Jimmy Page or Steve Vai, but the drawback to this is these people still exist and therefore you are only a copy, and like any impersonator you can never be better than the original. If you take their ideas and deconstruct them, then reassemble you are able, with your own skills, abilities and personality, to create something that is for want of a better word, unique!

Teaching within a framework of a lesson plan is restricting and uncreative.

It is difficult to teach creativity because it’s so hard to define, whereas teaching something note for note is easy to measure and therefore mark. So the system itself causes a distortion in our approach, and this is as true for other subjects as it is for music.

Saying to a bunch of musicians ‘I’m going to give you five little tricks and tips which will transform the way you play and it will only take me half an hour’ doesn’t make for a good two year college course, and would be almost impossible to mark. However, from a transformative point of view that is the quickest route and the most effective way of teaching.

I have said it is important to have lessons BUT

My last point is the real killer, many music tutors think that teaching is showing a pupil what they (the teacher) can do, it isn’t, it’s finding out where the student is on their journey and helping them to achieve their potential. This I think is the mark of really good teaching, and you can see this in your own work if you are producing different types of musical personalities from your pupils.

 If you find that your pupils are becoming bass players, guitarists, singers, songwriters, actors or music therapists you are a good teacher. All of these people are expressing their desires and their abilities and not trying to copy yours; you have no control over what they become.

Finally, how much is a college course now? £10K per year? What you need is time to practice and people to play along with and then the contacts………….

Vic 

www.bluescampuk.co.uk

What makes a good guitar teacher?

What makes a good guitar teacher?

It’s not so obvious what makes a good teacher, having knowledge of the subject is important obviously, but if you’re the sort of person who cannot transmit that information to somebody else, you are not a good teacher.

I have come across many people who are experts in their subject, but are unable to appreciate where the pupil is at that point in time in order to instruct them.

I have also come across people, who are only slightly ahead of the pupil in what they really know, but they are excellent at transmitting that information; they in my opinion are good teachers!

If you go back to when I started there was no formal training in contemporary guitar styles, and there were no exam qualifications at the time. If you wanted to do gradings you had to study a classical instrument. If you were a young whippersnapper like me and you just wanted to just go out and change the world by playing rock guitar,  you were unlikely to go and study an instrument like the piano in order to get a piece of paper to get a job.  I would still rather work at getting in through the back door by gigging and making connections. This was the way that things used to be done in the past, and I suggest actually that this should be more of the way of doing things now.

A good teacher is a mind reader

If someone is able to look inside the mind of a pupil knowing exactly where they are, and is able to read the rules that are laid out in front of them to see the problems and how they can be best corrected they possess a skill of teaching.

This skill requires someone to be focused on the subject, in other words the pupil.

A good teacher is an iconoclast

Break the rules in order that people can be free, so they can get out of the cage they have created by the way they think and by the way they play. This requires the teacher to think outside the box, for instance what do you do when somebody comes along who has a deformity in their hands or their fingers? If you are playing classical guitar how do you get on with the fact that they’re not going to be using the ‘correct fingers’?

What happens if they have some problem in the way that they see the world?  You have to inhabit their world in order for them to express themselves through music, there is no school curriculum or syllabus that will help you, it’s completely down to your own genius. Take the labels like ADHD and throw them away.

A good teacher knows that they are rubbish.

All of the things that one holds dear are only ideas. For everything a teacher tells a pupil about technique there is a great player who is doing the exact opposite. You can never know it all and you are never truly correct.

A good teacher is also a good business person

Charging a high rate for what they do, but giving incredible value in the way they do is important. A teacher should not be held to account by other teachers who are undervaluing themselves. A teacher should make sure that they earn a good living from what they do, because it will add life force to the work.

If you don’t charge enough you will resent working!

A good teacher is organised, punctual and reliable.

Many things that are taught and not direct, are implicit in what they do. Being an organised and reliable one inadvertently teaches a pupil to be the same. To succeed as a musician, if that’s what they choose, one of the most important skills that you need is reliability. This is because no one wants to work with an idiot who forgets what he or she is booked to do, who is late and unreliable. They will make one or two gigs by being like that, but after they will not be hired again, ever. And the same goes for a teacher.

Vic and the team

5 things that improve your Guitar playing

5 things that improve your Guitar playing 

Write out your short-term goals which should be measurable and achievable, long-term goals should be aspirational.

Short term

Making your short-term goals measurable and achievable means that you can really get some positive traction on your progress.

Learning a musical instrument takes time but you also need to focus that time. When one practises you will see no immediate improvement. I liken this to taking a long journey, at no point on the journey have you arrived, it doesn’t look anything like the place that you are going to. However, as long as you are heading in the right direction you will arrive and suddenly you are there!

By having achievable measurable short-term targets we can take each leg of the journey in a way that is motivating, and inspires us to get on with the job.

If you make a written list, as you accomplish each item cross it off, this is very powerful. I cannot stress this enough that making something physical like a to-do list and then actively crossing off the items as you do them really motivates you.

So to achieve the items they must be measurable and achievable. For instance, play the A major scale ten times is better than saying learn the A major scale. Even if you get it wrong you can still play it ten times!

Long-term

Your long-term destination should be something that inspires you to take that journey.  Going back to the old idea of a pilgrimage these were truly aspirational destinations which would involve great sacrifice both physically and financially, but the rewards were enormous.  In  order to gain merit in life and to enter the kingdom of heaven going on a pilgrimage was a very positive way of dealing with your sin; that is a powerful motivator.

Think of something that will be that powerful in your mind, be a rock star, travel the world, think of the great adoration of people. If that stuff doesn’t float your boat then find out what does, and make that your long term goal

Make it fun

How much of what we do is boring? When I was at school, teaching was based on the principle of boring kids to sleep in order to teach them!  This does not work, make things fun and you will learn more and learn faster!

Set yourself easy achievable targets (as above) and practice while you watch a film or listen to something you find interesting such as an audio book. When you achieve something reward yourself, even if that is just having a cup of tea. Make learning into a game; in fact make life into a game.

 Practicing chords can be boring, so find a song that has those chords in it and have some fun learning! Same with scales, make everything meaningful and fun; having something musical to learn is much easier than playing something that is a boring exercise.

Leave the guitar out of its case

‘Out of sight, out of mind’.  This could not be any truer when it comes to learning a musical instrument a guitar in its case, under a bed will never be played. So make sure the guitar is on a stand in the way or in a place that can be seen, for you to develop the habit of picking up and playing, the instrument needs to be at hand.

Train yourself to use downtime to practice the guitar, so if the guitar is out of the case and in your hands as much as possible,  you could play while watching  TV programmes, YouTube clips  or listening to a podcast; it’s a really good way of finding extra time for practice.

The more you can do multitasking, for want of a better term, and it really is a case of finding certain things that can happen at the same time. I was taught this by  my guitar teacher when I was in my teens,  to watch a film and practice the boring bits of the technique such as scales,  fast fingerpicking or chord changes whilst watching something on the television, to take me away from the boredom of doing the same thing over and over again.

Over  the years I actually learnt that this was a really powerful way of getting information into my unconscious; whilst the conscious part of my mind was watching something I was building muscle memory. It was like these techniques were slipping in through the back door. However, you won’t be able to do these things unless your guitar is readily available somewhere in the room.

Practice every day

If you practice every day you will make more progress than doing a lot of practice on one day during the week .This is because the mind needs revision; to bring memory patterns forward from the back of the mind to be re seen, literally revisioned.

Getting into the mind-set of building a habit is one of the most powerful ways of becoming a good musician.  I often tell my pupils that everybody can play a musical instrument ,and the skills that are required are not musical they are physical and mental.

 These are the same skills that you would require to be a good sportsman or a good artist or good at languages, because you are dealing with your mind and your muscle memory.

In the case of music there are no special skills or talent other than the fact that we are all geniuses potentially. Build this habit of practice into your daily routine, and you will see incredible results.

If you play the guitar for a little period of time after you’ve cleaned your teeth  or just after a mea; building a habit  by practising guitar is easier if you link it to another habit or ‘ritualistic behaviour’, hence choosing cleaning your teeth or eating a meal is something that is baked into our day.

If the guitar is in the way and visible, that will help, but I cannot stress enough that the frequency of practice is the most important thing. So practise which happens more than once a day and certainly happens every day, are the surest ways to become an accomplished player.

Relax it’s a journey

Practice is a journey and like any other journey it looks nothing like the end, until the arrival.  So keep going until you get there, every step however wrong it might seem at the time is correct, as long as you keep the end in sight. Also there is on any journey constant adaptations to the plan to cover deviations caused by events, same with practice. The British army moto of ‘no plan survives first contact’ also applies to you keep adapting to how you learn.

It is one of the most important skills in learning, just putting one step forward at a time and keep doing it. You can master anything this way; remember that the way to eat an elephant is one bite at a time!

Look forward to seeing you for the Bluescamp Q&A on Tuesday 23rd June at 7.30

Make sure you send an email to confirm so we can send you a Zoom link

Remember to send any questions that you might have

Vic and the team

A half heard thing George?

Nearly thirty years ago I was involved in a project with the son of Roger Moore, Geoffrey Moore. My band, Red Touch, were secconded into the project, with a few people being replaced mainly for political reasons. The band was very good but rather at odds with the zeitgeist of the moment which was two guys with funny hairdos playing keyboards.

It was here that I really honed my writing skills and a handful of numbers that I created at the time I still play, and were really pretty reasonable. This was due to the focus of a project backed by a management with record company interest, being paid to write songs is a good motivator.

I really got on well Geoff and he used to come over to my little cottage in Kent for tea with his then girlfriend, my girls were very young then and I think it was all a bit beyond them but they loved to see him along with Marie Chantelle (who is now married to the Prince of Greece, yes there is a prince of Greece). Geoff knew all of the celebrities from Sinatra to Elizabeth Taylor, Michael Caine to Jack Nicholson and he also knew George Michael.

The experience was rather bizarre of how the other half lived jetting about the world et cetera one of the strange events was after Geoff took some of our recordings to a party were George Michael was in attendance, the songs included one entitled Everyone Loves a Fool a jazzy ballad that I wrote for Geoff which really showed off his vocal skills as a crooner.

The band ran into a problem when Geoff was taken ill after the Christmas period and ended up in hospital in Beverly Hills. It all came crashing down over the next few months including an interview with his dad stating that Geoff had a drugs problem because of the band he was in which was rather sad because none of us had the money for any drugs even if we wanted to have a problem!

However the point of this is what happened about a year later when George Michael released Kissing a Fool it was so similar to my number, a jazz ballad in a similar tempo, similar groove and virtually the same title but what interested me was an interview that he did about the song and how it came about. The song apparently popped into his head while he was on a flight to America, of course those of you who do NLP will know that half heard things have real power to manifest as your idea as they pop out of your unconscious and I think this is what happened. I did not press the copyright issue for various reasons and I took it as a form of a compliment that one of my songs could do that. I would not say that they were exactly the same and I do not for one minute say that it was done deliberately but many of the recent copyright issues including Sam Smith’s copying of the Tom Petty song would classify in the same bracket of a half heard thing.

I am sorry to hear that George Michael has died during 2016 to add to the very long list of musicians and artists who have died this year, all I hope is that the Grim Reaper may now turn his attention to politicians, maybe that will be picked up as a half heard thing.

Vic

www.bluescampuk.co.ukmake it a resolution that you are going rock

Twenty years to reflect

Twenty years ago the band that I was working with changed. Life got in the way, the guitarist moved to Australia after getting married and the bass player and drummer who were involved in another band that had more gigs also moved on. So a small number of us continued with new players still under the name of Red Touch.

This month after two decades of not seeing one another we got back together again, playing the old material most of which were self-penned numbers which we had not revisited in any form in that time. On listening to the albums that we had released two things struck me, first of all we were good, better than I or any of us remembered and secondly the songs were really well written. Maybe it takes twenty years to have enough distance on your own writing to be able to see what you’ve managed to create.

Listening back to old CDs the songs sounded like they were written and played by other people I didn’t notice the type of errors that I used to imagine when I previously played the music but now I could hear a really solid level of musicianship and artistry in what we had created.

Meeting up and playing with the original members was such good fun, everyone being excited to meet after all these years. There was a definite feeling of love between the people and although we never left under a cloud of animosity I don’t remember us being so close maybe this is a good example of absence making the heart growing fonder.

This realisation fits the last blog post about beliefs and opinions and that they may not be reliable as they seem at the time and they are prone to change which highlights their unreliability. What do we do about this? Well maybe we should just do things and not think about it too much and then step aside and act as if it is not us to get some objectivity. The fact that our opinion of the work was so distorted at the time is of interest to me and although one could argue that our perceptions we be deluded now due to the excitement of playing again it has been verified by people outside of the band.

The gig itself was amazing and was the icing on the cake with the audience confirming what we had said about the quality of the band, but for me the strange and surreal feeling of playing that this event engendered is the most interesting all the members felt the same but expressing it in different ways, one saying it was a memory for end of life reflection, another saying it was a spiritual experience and others saying it was dreamlike and euphoric.

SO now it is time to ponder this and the coming year. 2016 was rather a shock to all I think and to think of all of the musicians who have moved on but it is time for us to look ahead at the coming year and what we are going to set as a vision for our creativity

So I would like to take this opportunity to wish you a very merry Christmas with health, wealth and happiness for the coming year.

 

Magic is Art

I believe that magic is art, and that art, whether that be music, writing, sculpture, or any other form, is literally magic. Art is, like magic, the science of manipulating symbols, words or images, to achieve changes in consciousness… Indeed to cast a spell is simply to spell, to manipulate words, to change people’s consciousness, and this is why I believe that an artist or writer is the closest thing in the contemporary world to a shaman. Alan Moore

In the last 40 years of teaching and playing I have experienced a number of extraordinary happenings where simple, ordinary people have become prolific artistic performers. I could say that in all that time I was unable to spot the ones that were going to become the great musicians. In hindsight it was obvious because they were the ones who put in the hours and their ability to play and create literally crept up on me.

I have mentioned before that success in the world of the arts is statistically neigh on  impossible and therefore having an unrealistic attitude to your ability is a great place to start. Another good place to start is with Alan Moore’s assertion that we can alter reality by the very things that we do by manipulating symbols, words, sounds and images to affect change in the minds of the people who listen.

I have long had an interest in NLP and I noticed that many successful songs are effective not because of the quality of the poetry but the command orientated lyrics that demand action on behalf of the listener. Songs such as ‘We Will Rock You’ and ‘All Right Now’ and even ‘Wild Thing’ are in this vein. These lyrics have a downward command orientated inflection and therefore fall into this concept of Alan Moore’s spellcasting.

However ridiculous you might think these things are the very act of subverting reality and your belief in what is possible, seems to be an important ingredient required from a successful artist. Merely dealing with reality is not enough, distorting reality is just the beginning, making people act in the way that you have distorted reality is the aim.

We are definitely entering the world where facts and truth are being trumped literally and metaphorically by the emotional aspect of language, we see that all the time in politics, we definitely see this within the media. It is abundantly clear that emotional soundbites are far more effective than reasoned argument and longer lasting. Evoking the spirit of Englishness or Americanness is powerful but we have to be very careful to look after that evocation because even a cuddly cat if mistreated has a very dark side to it and so does Englishness.

Being optimistic about the above quotation means that we can do incredible things if we can picture them and then formulate sounds that bring the vision to life. Look at the successful music of the band such as Queen. Think of any of their famous songs and they truly seem to have a life of their own; being completely animated when we hear the music you see Freddie. Magical!

Vic

www.bluescampuk.co.uk three days of rock band magic

We cling to our own point of view, as though everything depended on it. Yet our opinions have no permanence.

I deal with a lot of young people in my teaching of which many are teenagers. They are full of the unshakable belief that you know nothing and they know it all even if you have forty years of experience. I remember being like that; in fact the only thing that life experience gives you is that you know less and less as the years go by, so in a way they are right. The things that seemed certain when you were younger seem more uncertain as you age and then if you are lucky you get to an age when you realise that everything is open to the challenge of its unreality.  

So might it not be better to stand in a place of uncertainty, in the Chinese view you do not need to believe in something just suspended your disbelief to make things move and change.

What would happen if we changed our point of view? Maybe it would give us the possibility of seeing something different and new? From my own experience when I first became interested in playing the guitar I detested reggae and if someone had said to me that within five years I would be playing in a reggae band I would not have believed them, but I did, I then realised that reggae contained the essence of music that I also later found in other roots music such as the blues, it acted as a doorway to a new assessment of what music was. So look at the point of view that you currently hold and try out the opposite viewpoint for a couple of weeks and see what happens. Sometimes as you do you notice new things and start discovering ‘by accident’ things that confirm your new view.

What happens if we change what we believed we are? Now here is a good one, when we are younger we believe many things that as we age we realise were ridiculous, however as I have said before naivety is an important ingredient to success because if you were not naïve you would not even start because the odds are so impossible but ……

If you are old enough, look back and remember what you believed then and compare to what you believe now then think of what you might believe in ten or twenty years’ time. Then think of what you would need to believe to make the changes or achieve the things that you want and just do it. Because it is quite likely that the changes that you have already made in life are more radicle than the ones that you need to now make.

Ask yourself the question ‘what would I have done differently if I had changed my beliefs earlier’, remember that everything that ever existed started as an idea, so get the idea.

Vic

www.bluescampuk.co.uk three days of music heaven

Men honour what lies within the sphere of their knowledge, but do not realize how dependent they are on what lies beyond it.

We have unleashed some form of Demon with the new technology. What appears to be a blessing in that you can record easily and provide much of the written material that you require to teach and create. You are also able to research music in ways that we were never able to before. However the problems are numerous, if you are using the internet space as a marketing forum you are competing with a market that is infinitely bigger than anything pre-Internet.

There was a time you could just place an advert in the local press and you would reach all of the people that were likely to be interested in your message in your area. Now this is pretty much impossible and not only that your competition is the rest of the world.

This is a problem which could destroy the economy of countries and is probably doing so already with the coup de grace coming with the algorithms that will take away many jobs; hopefully not yours. If you are flexible in your thinking to see that music teaches skills that have no definable outcome something which a computer cannot deal with you have a distinct advantage.

Ironically this problem leads me to putting something on the Internet as a membership forum to link musicians and artists together and create a market and a creative space in which they can work and hopefully generate some form of income.

I cannot see a positive outcome from the way that children are being educated at the moment; they need something to make them creative for the world that we are entering where movement between jobs and the learning of new things or the development of new ideas is imperative. This is a very real problem which seems to be almost unnoticed by the idiotic politicians that we have in this country and the United States who are making more of a system that does not work in the life cycle of the human but works well for the ticking a box world of the accountant.

So what lies beyond your knowledge? The world of the impossible, the one of dreams, Lewis Carroll’s thinking of six impossible things before breakfast.  All artistic projects start as ridiculous ideas, the dreams of the teenage budding rock star start as pipe dreams but somehow for the intrepid and the stubborn they become real. It seems that the drive magically reduces the statistical inevitability of failure. What lies within your knowledge is the fact that you do not stand a cat’s chance in hell of making it but outside of that in the world of the black swans and komodo dragons is the way of realising your liberation from ‘knowledge’. Once you have drunk from that well you know where it is roughly, so you can stumble on it again because like any topography that is unmarked things seem to move but the essence lures you back like Parsifal looking for the Grail Castle.

So start with the dream and by having the dream percolate in your thinking see what ripples come back from the edges of your mind bouncing off the hills of the strange outer world of consciousness. The place where music is formed, the Kashmir of dreams as sung about by Led Zeppelin. Places that change, sometimes illusive, strangely familiar but unpredictable, like Alice’s Wonderland.  Imagine what you could achieve with either the Red or White Queen on your side?

I feel a song coming on.

Vic

www.bluescampuk.co.uk three days of unleashing your inner rock god

Rewards and punishments are the lowest form of education. Chuang Tzu

Our education system is based on testing and exams with various forms of rewards given through certification etc. The punishment aspect of it is deeply psychological with people feeling that if they do not achieve they have by extension failed.

I have always found that the most effective use of gradings in teaching the guitar is to create a goal and the journey towards that goal; that is the objective not the arrival, a bit like life. Do we need all the rewards and punishments for developing musical skills or just our motivation to play?

When I started playing there was a lot of social unrest and maybe we are entering that situation again as people begin to notice how much they have been misled by the media and politicians. The idea of getting out and venting your emotional energy was a great motivator and we certainly need motivation but examinations are not generally anything other than a measurement guide for someone else. They are better being a guide for you as a motivator because walking out on a stage waving your grade eight certificate will not prove anything but playing will.

If you look at musical education as being a tool which we can use to realise our artistic goals then we can use the cheapest form of education which is now mostly online or we could also use friends and other artistic colleagues to develop our skills cheaply by watching them play and asking questions. The role of the teacher is to give a good route on the map towards technical and artist realisation, in other words getting people to think for themselves and I do not see much scope for outside reward or punishment but more self-determination and discipline.

The truest measure of your ability is made by you. Most artists find it really difficult to look or listen to their own work after they have completed it and within that we can see that we are greatest critic.

Maybe the time is right for some other counterculture thing to develop where art is being used to critique the establishment and society as has happened numerous times before and potentially can happen again as we are sitting on so many ticking bombs.

So for you as an artist anything less than world domination is not be enough.

Vic

www.bluescampuk.co.uk three days of a music summer school to get you rocking

Cherish that which is within you, and shut off that which is without; for much knowledge is a curse. Chuang Tzu

Somebody came to see me during the week for an informal chat about starting guitar lessons. I tend to do this now instead of having conversations on the phone or emails going backwards and forwards about rates and times of lessons etc. I just find it easier for them to meet me and for me to meet them so that I can understand where they are coming from in their playing and if they have played before and what standard have they reached.

This particular person was interested in classical guitar and he had been playing for about four years, he spends some of his time out of the country and he has a guitar teacher while he is away so he was looking for one here. He seemed a very nice guy and he turned up with his guitar and his music; we sat down and had a cup of tea and chatted about what he had done before.

He started to tell me how wonderful the guitar teacher was in America and every lesson was like a masterclass. I found this interesting and when I looked at his music that he had every single note had a pencil mark next to it. The notation was so extensive to include both his right and left-hand fingering and also the dynamics of the piece. I then started to wonder what this guy had actually learnt and what had he discovered about himself musically or was he just following instructions.

He played a little bit to me and it could certainly get all the notes down but there was something lacking. As we discussed things further I gave him some ideas about developing the musicality of what he was playing but I could feel some sort of reticence. The thing really got me was when he produced the music for the Recuerdos de la Alhambra which he said he wanted to play as his autumn project.

I suggested that he should start looking at the piece before I see him next and mentioned some ways of approaching it, he gave me a slightly puzzled look. At that moment it was clear all the lessons had been a firm form of spoon feeding when in reality we need to find the musicality in ourselves and this can be done by teachers showing the way. However the pupil needs to learn self- sufficiency if a teacher goes into great detail on every piece when will the pupil learn that. There is only so many fish that you can give someone it is much easier for them to learn to fish and feed themselves.

We need to nurture what is inside of us and to some extent we do need to be initiated in this by someone else but the constant journey that you make as a musician is yours and not the teachers and although it does mean that you get return business if you teach like this because of the dependence of the pupil that is not the role of the teacher. The aim should be to make the pupil your master.

Vic

www.bluescampuk.co.uk three days of playing in a band and learning how to perform and to write songs like a rockstar.

Hammer to C8 Mate

For the open eyed, there is an opportunity here; when asked how he would prepare for a match against a computer, Dutch chess master Yann Hein Donner said; I would bring a hammer.

When faced with set patterns of behaviour in ourselves or in systems sometimes we have to do something radical to make a change. The way that things are now developing when there is less and less flexibility we need to do this.

There is a test which asks how many uses can you find for a paper clip? When children are asked this question they can come out with many more than an adult. I would postulate that education reduces the creative aspect of the mind because it becomes a paperclip and not just a piece of wire.

In music we can see this in the way that complexity will lessen possibility for example if I play one chord that chord can be in several keys but as soon as I play another the number of keys available will become fewer because we start to categorise the first chord.

Society has become the adult with reduced capacity to think and this in the words of my father talking about the highly educated, ‘needing a slide rule to cross the road’, today a satnav or an iPhone would be the instrument of choice. As a side effect of learning we discard the things that seem not to fit and therefore start to limit what is possible. What we discard may exist or be possible because we just have not seen it before like Taleb’s Black Swans.

Dealing with computers either overtly or not you can feel their presence in everything we do from the letter from the doctor, to the radio play list, to the way our lives are managed. So the limiting categorisation is happening to us by an algorithm.

For the musician we need to use computers but not be used by them, the world is full of lifeless stuff created by computers; we need to make sure that when we make a pact with the devil we have an exit strategy which keeps our soul intact. For that we need to rely on what is left of our humanness and I mean that in the very deepest and broadest of terms, that which engages us with our nature and by extension nature herself. So use ones passions from both ends of the spectrum to really charge up our creative juices because it is that that makes our creations interesting and compelling not some watered down sanitised version of what we have become.

Technology will destroy that which makes us what we are if we are not careful, we are already corralled by the technology and it is beginning to suck the creativity out of us. What we need is to be able to problem solve without the use of computers and then regain some form of control and then from that point we can engage with the technology on our terms. But faced with technology being used on us then I suggest we do what our ancestors would have done to the dominating force which was trying to take their souls beat the shit out of it with a hammer. All hail to Thor.

Vic

www.bluescampuk.co.uk three days of unlimited musically creativity and happiness …

Huge structural changes are looming for the education sector

 Huge structural changes are looming for the education sector. Think of how angry you would be if you were one of the last students to get so deeply into debt before everything changes. - Gordon White

The changes are a coming and the last people that will see it are the ones with the vested interest in the established ways of doing things, the very things that are going to be changed. What happened to the infrastructure of the horse drawn carriage and vehicle market as the internal combustion engine arrived; they saw it but did they respond to it?

Maybe having a vested interest makes change difficult or maybe they do not have a way of changing. One thing that appears clear to me as I get older is how difficult it would be for me to do something different than being musician. Fortunately being an music gives some flexibility but if I was somebody trained in a skill for which there is no more demand without an aspect of being able to step sideways and use my skills somewhere else then it would be so difficult for me to do something else. Of course for people who made wheels for carts or tack for horses the arrival of the motor car must have been a disaster, and in those days there was no such thing as retraining.

I see dangerous parallels with the past with the added necessity for retraining being part of the landscape of future employment on top of all debt that a young student will accumulate from university and of course retraining will not be free either. It looks like a good strategy to keep the wheels of academia oiled following the principle of medicine that it is more profitable to treat chronical sick than to cure as you have returning business.

Over the last few weeks I have been pondering the way that art and music can help people become more flexible in the way that they think and also looking at the possibility of what you do as an artist to make money. The principles that people want to be educated and be entertained still holds  Many people want to become rock stars in their dreams particularly when a young. Performance skills being used in the world of business for public speaking is a good example of how artistic skills can be turned to a profitable skill.

Extra to the opening quotation is the idea that much of today’s education can be established virtually for free online and this is an advantage that we should use to subvert the system but we should also see its failings that we will end up with many people doing the same thing because the reference points are the same so again the world of the arts and the ability to re-design and re-engineer yourself in a sort of Bowie-esque way is something that you need to work on.

But remember the Nobel laureate’s quote from the 1960s that ‘the times they are a changing’.

Vic

www.bluescampUK.co.uk three days of rocking out and learning the tricks of the trade from professional musicians and teachers with years of experience but hurry spaces are limited and next year’s allocation is already three-quarter sold-out.

There is an old saying that men plan and God laughs.

The plans of mice and men….. we obviously do need a plan just like making a plan for sailing a boat but as soon as you set sail the wind will change you then have to adapt your plan to fit the circumstances of the environment that you are in.

However when we make a plan with a business we often expect there to be no change of wind or adverse weather conditions et cetera et cetera, but of course as soon as you adopt a plan it needs to change. Maybe in this way any plan is a good plan however crazy, however optimistic, because it sets the ball rolling, the secret is to keep adapting the plan.

There is a saying in the British Army that as soon as the enemy moves you have to change your plans so therefore forget about what is taught in business studies at school or college or university and adopt a more artistic creative outlook and think that the plan is a dream, direction and objective and therefore will need to change as soon as is it is implemented.

So let’s look at this from the perspective of organising a concert, you may have the date in mind, support bands required the type merchandise required etc., as soon as you roll out these ideas there will be a problem maybe with the merchandise arriving on time or the support band that you had down not being able to make it. Now much of what you do by planning can be secured by some form of commitment normally financial from the participants for instance getting a support act to give you some money for the tickets which they then have to sell to recoup and make a profit. I’ve always found this a very successful way of developing a support act that can actually make money and bring in a crowd otherwise why would you have support act in the first place.

So in a nutshell make your plans exciting and creative but most of all flexible and with due diligence you should be able to adapt to circumstances as they arise being  prepared to trim your sales as long as you know what the basic requirements are stick to them.

Vic

www.bluescampuk.co.uk three days of playing in rock band learning the tricks of the trade from professional players.